Art of the Frame

On this week’s episode of Editors on Editing, Glenn is joined by Jennifer Lame.  Jen has edited such exceptional films as Francis Ha for which she was nominated for an Independent Spirit Award.  Manchester by the Sea for which she was nominated for the BAFTA, Eddy, and Independent Spirit Award. The Meyerowitz Stories, Hereditary and Marriage Story, for which she was nominated for an Eddy as well as Tenet and, Black Panther Wakanda Forever which she co-edited with Kelley Dixon and Michael P. Shawver.  Now she has crafted Christopher Nolan's epic, Oppenheimer.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons & Michael Kammes are joined by guess host Stacy Chaet to talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss Avid’s acquisition, the new MacBook Pro M3, the effects of the recent strikes and the many different roles of a Production Technologist. And of course there’s a bunch of really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.

Show notes:

Writer’s strike:

In this episode of Art of the Frame, we delve into the visual and special effects in Ridley Scott's latest epic, "Napoleon". The podcast explores the remarkable efforts of the effects teams to vividly recreate 19th century Europe and its battlefields, bringing historical grandeur to life with striking authenticity. Our journey takes us behind the scenes to understand the complexities and challenges faced in visualizing one of history's most iconic eras, especially in the portrayal of monumental battles like Austerlitz and Waterloo.

Our resident VFX supe Damian Allen engages in conversation with four supervisors of the film's visual and special effects: Visual Effects supervisor Charley Henley, special effects supervisor Neil Corbould, Luc-Ewen Martin-Fenouillet (a visual effects supervisor at MPC), and Simone Coco, (a visual effects supervisor at Disney’s ILM), discuss how their teams helped transport Napoleon and his era onto the screen for a 21st century audience.

On this week’s episode of Editors on Editing, Glenn is joined by Thelma Schoonmaker. Thelma is truly a legend in the film community.  Her credits span many of the most celebrated films of the last 50 years. Some of those projects include, Woodstock for which she was nominated for the Oscar. Raging Bull for which she won the BAFTA, Eddy and Oscar.  Goodfellas for which she was nominated for the Eddy and Oscar and won the BAFTA. Casino for which she was nominated for the Eddy. Gangs Of New York, for which she was nominated for the BAFTA and Oscar and won the Eddy.  The Aviator, for which she was nominated for the BAFTA and won the Eddy and Oscar. The Departed, for which she was nominated for the BAFTA and won the Eddy and Oscar. Hugo, for which she was nominated for the BAFTA, Eddy and Oscar. The Wolf of Wall Street, for which she was nominated for the BAFTA, and the Eddy. And the Irishman, for which she was nominated for the BAFTA, Eddie, and Oscar. She is also tied for the most nominations and wins in the editing category of the Academy Awards. Now she has crafted Scorsese's newest masterpiece, Killers of the Flower Moon.  

On this week’s episode of Editors on Editing, Glenn is joined by Kirk Baxter. Kirk has edited such exceptional projects as The Curious Case of Benjamin Button, for which he was nominated for a BAFTA and Oscar with Angus Wall, The Social Network, for which he won the BAFTA and Oscar with Angus Wall, The Girl With The Dragon Tattoo, for which he won the Oscar, with Angus Wall,  House of Cards, for which he was nominated for a Primetime Emmy Award, Gone Girl, for which he was nominated for the Eddie, Mindhunter, for which he was nominated for the Eddie, Mike, for which he was nominated for the Eddie, and Love, Death & Robots, for which he won the BFE Cut Above Award and the Eddie.  Now he's crafted the rousing entertaining comedy, Dumb Money.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week, Michael and Katie get to share some of their experiences at IBC and so of course there’s even more really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.

Show Notes

On this week’s episode of Editors on Editing, Glenn is joined by Joanna Naugle, Adam Epstein, Nia Imani and Megan Mancini, the editors on the hit show, The Bear.  Joanna's credits include 2 Dope Queens, Ramy, Molly and Max in the Future and The Bear, for which she was nominated for a Primetime Emmy, and won both the BFE Cut Above Award, which she shared with Adam, and, the Eddie. Adam's credits include Documentary Now! Saturday Night Live, for which he was nominated for two Primetime Emmys, The Other Two and Bupkis. Megan Mancini has edited Amy Schumer: Emergency Contact, Phoebe Robinson: Sorry Harriet Tubman, How To With John Wilson and Astronomy Club. Ni’as editing credits include Homecoming; A film by Beyoncé, for which she won a Grammy for Best Music Film and Olivia Rodrigo: Driving Home 2 U and, Black is King. Enjoy the episode!

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang meet up with Michael Cioni to hear how Strada, a new AI-Cloud marketplace could democratize the post-production software industry. And of course there’s the latest news and, a bunch of really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss the current state of the strike and, the wider effects it is having on the industry, the future of Avid, the release of Pro Vision Headset and, a whole bunch of really cool things that will get all us post production people excited. 

Enjoy the episode and don’t forget to subscribe.

HPA - An Open Letter of Concern For the Survival of the Media Creation Supply Chain

On this week’s episode of Editors on Editing, Glenn is joined by Ken Eluto, Jane Rizzo and William (Bill) Henry. Ken has won an Eddie and, was nominated for two Prime-Time Awards For his work on Succession. Ken also edited American Experience for which he was nominated for a Primetime Emmy. 30 Rock, for which he was nominated for three Eddie Awards, winning one and, nominated for five Primetime Emmys, winning one.  He also edited The Unbreakable Kimmy Schmitt and Modern love. Bill Henry won a primetime Emmy for Succession and has also edited Closer, Just Cause & Dickinson. Jane Rizzo, was nominated for both an Eddie and a Primetime Emmy for Succession. She has also edited Z for Zachariah, Red Oaks, Leave No Trace, Dickinson and The Hunt. Enjoy the episode!

On this week’s episode of Editors on Editing, Glenn is joined by Chad Galster. Chad has edited such excellent projects as Those Who Wish Me Dead, Mayor of Kingstown, Yellowstone and 1883. Now he's helped craft one of the best drama series of the year in 1923, now Streaming on Paramount Plus.

On this week’s episode of Editors on Editing, Glenn is chatting with his co-editors who worked with him on the hit Peacock series Poker Face.

Bob Ducsay, whose credits include The Mummy, GI Joe, Godzilla, San Andreas, Star Wars Last Jedi, and Knives Out and Glass Onion, both for which he was nominated for the Eddie. 

Paul Swain, who has cut the Moodys for which he won an Australian screen editors award, American Vandal, No Activity, Brockmire, The Unicorn and Guilty Party.

And Shaheed Qaasim who has edited Modern Family, Taken, Future Man, The Walking Dead, World Beyond and Men in Trees.

Glenn’s credits include the Devil's Rejects, King of California, Banshee, Rob Zombies Halloween, The Vampire Diaries, Stan Against Evil, Preacher, The Turning and Black Box. 

Poker Face is available to stream on Peacock, enjoy the episode!

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss the Writer’s Strike, The Gartner Hype Cycle, the Metaverse and whole bunch of really cool things that will help us all in our post production endeavors. 

Enjoy the episode and don’t forget to subscribe.

News:

On this weeks episode of Editors on Editing, Glenn is joined by Wendy Hallam Martin, Aaron Marshall & Ana Yavari. For the last five seasons, the powerful drama The Handmaid's Tale has taken the world by storm. Season Five is brilliantly edited by Wendy Hallam Martin, who has won an Eddie for The Handmaid's Tale, and been nominated for three Primetime Emmys, winning one while also editing The Tudors, The Borgias, American Gods and the upcoming mini-series Fellow Travelers.  Aaron Marshall has edited Warrior,  Penny Dreadful, Vikings, and Halo while Anna Yavari has edited Wednesday, The Hardy Boys and From.

On this weeks episode of Editors on Editing, Glenn is joined by John Axelrad and Jared Simon. John has crafted such powerful films as We Own The Night, Two Lovers, Crazy Heart, The Lost City of Z,  Papillon and Ad Astra. While Jared has assisted on numerous projects such as New Amsterdam, Come From Away, and the New Mutants. After first assisting for John on Antebellum, Jared has also been credited as additional editor, working with John on this riveting drama, Chevalier. Enjoy the episode!

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss all the latest news and, what they each discovered at NAB. With so many product developments and software updates the whole show is just one big ‘cool new thing’.

Enjoy the episode and don’t forget to subscribe!

Show Notes:

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang share their thoughts on the recent HBA Retreat and, what they expect from the upcoming NAB conference. There’s a deep dive into Genitive AI and, a healthy discussion on post production bullying. And, of course they each get to share their favorite ‘one cool thing’.

Enjoy the episode and don’t forget to subscribe!

Show Notes:

On this weeks episode of Editors on Editing, Glenn is joined by Eddie Hamilton. Eddie has edited such dazzling films as Kick Ass, X-Men: First Class, Kingsman The Secret Service and The Golden Circle as well as Mission Impossible: Rogue Nation and Fallout. Now, he's crafted one of the most beloved films of the year Top Gun: Maverick for which he won the Eddie and, has been nominated for both the Critic's Choice and the Academy Award.

On this weeks episode of Editors on Editing, Glenn is joined by Erin Casper and Jocelyne Chaput. Erin’s credits include American Promise for which she was nominated for an Emmy, Risk, The Seer and the Unseen, Roll Red Roll, Becoming and The Vow. Jocelyn's credits include People of a Feather, Fractured Land and, Starlight and Other Sounds: the music of Alexina Louie. Now they have collaborated to craft one of the best documentaries of the year, the riveting Fire of Love, for which they have been nominated for the Critic's Choice Award and the Eddie.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss the importance of the HPA Retreat and how NAB has changed post Covid. The gang chat about the production elements of The Super Bowl. And, there’s an even deeper dive into AI as in ‘where do we draw the line’ on Voice and Facial cloning? And of course they each get to share their favorite ‘one cool thing’.

Enjoy the episode and don’t forget to subscribe.

Show notes and links:

NAB:

On this weeks episode of Editors on Editing, Glenn is joined by Paul Rogers, Aashish D’Mello and Zekun Mao. Paul's credits include The Eric Andre Show, The Death of Dick Long, You Cannot Kill David Arquette and Dream Corp L L C.  Now Paul has edited the phenomenal mind trip, Everything Everywhere All at Once, for which he has been nominated for the Critic's Choice Award, the BAFTA, the Independent Spirit Award, the Eddy and, The Academy Award. Enjoy the episode!

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss the importance of industry lead surveys, the latest open source platforms that promote cross-platform collaboration, Sundance, the potential of Autograph and, they each share their favorite ‘one cool thing’.

Enjoy the episode and don’t forget to subscribe.

On this weeks episode of Editors on Editing, Glenn is joined by John Gilroy and Yan Miles. John has edited such powerful films as Miracle, Michael Clayton, for which he was nominated for the BAFTA. Warrior, The Bourne Legacy, Pacific Rim, Nightcrawler, for which he was nominated for the BAFTA, the Eddie and the Independent Spirit Award, while Yan has cut such fantastic series’ as The Prisoner, Game of Thrones, Sherlock, for which he won the BAFTA, the Eddie and a Primetime Emmy and, The Crown for which he was nominated for the Eddie and won the Primetime Emmy. Now John and Yan have collaborated to craft one of the best series of the year, Andor: Now streaming on Disney+.

On this weeks episode of Editors on Editing, Glenn is joined by James Cameron, Stephen Rivkin and John Rufoua. James’ credits as director, writer, producer and editor are legendary and include Titanic for which he was nominated for the BAFTA and won the Eddie and the Oscar. Along with Stephen and John for their work on the original Avatar movie, James won the Eddie, the BAFTA and the Oscar. Stephen’s credits include My Cousin Vinny, The Hurricane, Ali, Pirates of the Caribbean: The Curse of the Black Pearl for which he won the Eddie and, the two Pirate sequels, Dead Man's Chest and At World's End. John's credits include Reno 911, CSI Miami, Olympus has Fallen, The Equalizer, South Paw, The Magnificent Seven and Transformers: The Last Knight. Now they have collaborated to bring us one of the most mind-blowing epics of the year: Avatar: The Way of Water.

On this weeks episode of Editors on Editing, Glenn is joined by Michael Shawver & Kelley Dixon. Michael has edited such outstanding films as Fruitvale Station, Creed, Black Panther, A Quiet Place 2 and Blacklight while Kelly has edited such excellent projects as Shameless, Breaking Bad, The Walking Dead, Better Call Saul, The Falcon and the Winter Soldier and Obi-Wan Kenobi, for which she received multiple Eddie and primetime Emmy Award nominations, winning the latter once. Now Michael and Kelley have collaborated along with Jennifer Lame to craft the emotional spectacle, Black Panther, Wakanda Forever.

On this episode of Editors on Editing podcast, Glenn is joined by Ken Schretzmann & Holly Klein. Ken has edited Men in Black and such animated films as Cars, Toy Story 3 for which he co-won the Eddie, the Secret Life of Pets and the Willoughby’s for which he was nominated for an Annie Award. While Holly started as an animator on Blues Clues, One Life to Live, and then moved on to assisting on ParaNorman and Coraline. Now Ken and Holly have collaborated to craft the beautiful and emotional tale of Guillermo del Toro's Pinocchio, streaming now on Netflix.

On this weeks episode of Editors on Editing, Glenn is joined by Monika Willi. Monika has edited such fascinating films as Untitled, Funny Games and The White Ribbon for which he was nominated for the German Film Award, Whore’s Glory for which she was nominated for the Austrian Film Award. Amour for which she was nominated for the Caesar,  and, for her work on both Styx and Thank You For Bombing she was awarded best editor at the Austrian film Awards. Now she has crafted the powerful film TAR, for which she has already been nominated for an Independent Spirit Award and, by the Critic's Choice Awards.

On this episode of Editors on Editing, Glenn is joined by Terilyn Shropshire. Terri has edited such impactful projects as Eve’s Bayou, Love and Basketball, Redemption: The Stan Tookie Williams Story for which she won the Eddie, Beyond the Lights, When They See Us: Part One for which she was nominated for the Eddie and, the critically acclaimed blockbuster, The Old Guard. Now she has crafted the exhilarating, powerful film, The Woman King. Enjoy!

On this weeks episode of Editors on Editing, Glenn is joined by Ron Patane. Ron has edited such compelling films as Blue Valentine, The Place Beyond the Pines and A Most Violent Year, for which he was nominated for an Independent Spirit Award and The Wizard of Lies, for which he was nominated for the Eddie. Now Ron has crafted the powerful film Till.  

On this weeks episode of Editors on Editing Glenn is joined by Tom Cross, editor of "Babylon." Tom has edited such superb films as Whiplash for which he won the Oscar, the Independent Spirit Award and the BAFTA, La La Land, for which he won the Eddy and was nominated for both the Oscar and the BAFTA and No Time to Die, for which he was nominated for the Eddy, and won the BAFTA with Elliot Graham. Now Tom has crafted the highly anticipated spectacle, Babylon.