
Dissect
By Cole Cuchna | Spotify
*Currently dissecting Kendrick Lamar's DAMN. (Season 5).*
Past seasons include Flower Boy by Tyler, the Creator (S4), Blonde by Frank Ocean (S3), My Beautiful Dark Twisted Fantasy by Kanye West (S2), To Pimp a Butterfly by Kendrick Lamar (S1), and Miseducation of Lauryn Hill (MS1).

DissectFeb 11, 2020

Dissecting Mogul with Brandon Jenkins
Today, we dissect another serialized podcast we love: Mogul, a show about the stories behind hip hop's most iconic moments. Mogul's host, Brandon Jenkins, joins Cole to discuss the show's highlights and walks us through Mogul's production process. Stream Mogul now on Spotify, or wherever you listen.

S5E20 - Season Finale: DAMN. by Kendrick Lamar
We conclude our season on DAMN. by recapping the album’s narrative in standard track order before speculating on an alternative narrative when listening in reverse track order. Finally, we present a new theory about the album’s track listing (did someone say “chiasm”?).
Stay connected over the break by following @dissectpodcast on Twitter and Instagram. Purchase Dissect merch at https://shop.dissectpodcast.com/. Listen to original Dissect themes on Spotify: https://spoti.fi/2k8BsZM.

S5E19 - DUCKWORTH. by Kendrick Lamar
DUCKWORTH. tells the remarkable true story of the chance encounter between Kendrick’s father Kenny Duckworth and Anthony “Top Dawg” Tiffith. Kendrick uses this story to illustrate the album’s central message: the (unpredictable) blessings that come from choosing weakness.
Say hi @dissectpodcast on Twitter and Instagram. Purchase Dissect merch at https://shop.dissectpodcast.com/. Listen to original Dissect themes on Spotify: https://spoti.fi/2k8BsZM.

S5E18 - GOD. by Kendrick Lamar
After receiving guidance from Cousin Carl on FEAR., Kung Fu Kenny expresses the joyous feeling of being filled with the spirit of GOD.
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S5E16 - FEAR. (Part 1) by Kendrick Lamar
FEAR. is the pivotal track in the narrative of DAMN. We begin our two part analysis by dissecting the song’s virtuosic use of samples before digging into the appearance of Kendrick Lamar’s two real life cousins: Carl and Charles. Finally, we unpack the song’s first verse, which is rapped from the perspective of Kendrick’s mother.
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S5E15 - XXX. (Part 2) by Kendrick Lamar
In part two of our analysis of XXX., we discover the dramatic twist in the narrative of DAMN.
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S5E14 - XXX. (Part 1) by Kendrick Lamar
XXX. is a multipart suite that begins to reveal the deep-rooted themes of DAMN. We find Kung Fu Kenny seemingly under demonic influence as he portrays himself as a heartless, bloodthirsty killer. By the song’s second half, we discover the event that triggered such ruthlessness.
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S5E13 - LOVE. by Kendrick Lamar
Coming off the heels of LUST., LOVE. presents the flipside of the coin as Kung Fu Kenny explores the youthful, romantic love he felt as a teenager. As we’ll discover, this isn’t the first time Kendrick has explored the love/lust dichotomy in his music: it was actually the basis for his major label debut good kid, m.A.A.d. city.
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S5E12 - LUST. by Kendrick Lamar
When DAMN. released just months after Donald Trump was elected president, many were anticipating the moment Kendrick Lamar -- the greatest rapper of our generation -- addressed the election on the album. LUST. presents that moment, but not in a way many people were expecting…
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S5E11 - HUMBLE. by Kendrick Lamar
We continue our season-long analysis of DAMN. with the album’s hit single HUMBLE. Coming off the heels of PRIDE. in which Kung Fu Kenny admitted his imperfections, we are puzzled to find Kenny egotistically lifting himself up by putting down others. But as we’ll hear, this mentality embodies the central biblical theme that powerful rulers and nations often become corrupted by pride.
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S5E10 - PRIDE. by Kendrick Lamar
Kung Fu Kenny takes a big step forward by admitting his imperfections and humbling himself. As track 7 of 14, we hypothesize about PRIDE. being a micro-resolution to DAMN’s first half.
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S5E9 - LOYALTY. by Kendrick Lamar & Rihanna
Kung Fu Kenny teams with Bad Girl RiRi for a meditation on the concept of LOYALTY. What begins as a self-serving demand for absolute devotion eventually unfolds into a recognition that one’s highest degree of loyalty should be shown to God.
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S5E8 - FEEL. by Kendrick Lamar
Kung Fu Kenny’s pursuit of sex, money, and murder comes to a head in FEEL. In a violent storm of emotions, Kenny reveals the underlying isolation and suffering caused by his self-centered way of life.
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S5E7 - ELEMENT. by Kendrick Lamar
ELEMENT. is a brutal meditation on Kung Fu Kenny’s intuition toward preemptive violence. But upon analysis we realize that beneath Kenny’s aggression is an underlying fear of his family going back to a life of poverty. In this way, the track exemplifies how self-preservational pride tilts toward death and destruction.
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BONUS - Dissecting JESUS IS KING w/ Femi Olutade
Cole and Femi discuss Kanye West's new album Jesus Is King, including a song-by-song thematic analysis.

S5E6 - YAH. by Kendrick Lamar
YAH. formally introduces DAMN’s protagonist: Kung Fu Kenny, a prophet who rejects God’s call. Kenny chooses instead to follow his intuition toward sex, money, and murder -- the very traits named on the album’s previous track DNA.
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S5E5 - DNA. (Part 2) by Kendrick Lamar
In Part 2 of our DNA. analysis, we dissect the song’s dramatic second half. Triggered by the disparaging comments by FOX News, Kendrick goes ballistic in a now icon extended verse. While we may have originally thought DNA. was about Kendrick Lamar, the song ends with the diagnosis that sex, money, and murder are traits shared in each and every human being.
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S5E4 - DNA. (Part 1) by Kendrick Lamar
DNA. lays the philosophical groundwork for the album DAMN. In the song’s first half, Kendrick defines his genetic makeup as a mixture of biological (family), environmental (Compton), and cultural (hip-hop) inheritances.
Say hi @dissectpodcast on Twitter and Instagram. Purchase Dissect merch at https://shop.dissectpodcast.com/. Listen to original Dissect themes on Spotify: https://spoti.fi/2k8BsZM

S5E3 - BLOOD. by Kendrick Lamar
We begin our season-long analysis of DAMN. with the opening track BLOOD. We unpack the many layers of the wickedness/weakness dichotomy presented as well as the cryptic parable in which Kendrick is shot by a blind lady -- or shall we call her Lady Justice?
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S5E2 - TPAB as Preface to DAMN.
We revisit To Pimp a Butterfly with a special focus on how its ending connects directly with the opening of DAMN.
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S5E1 - Kendrick Lamar: DAMN.
Season 5 is dedicated entirely to Kendrick Lamar’s Pulitzer-Prize winning album DAMN. Today’s episode dives into Lamar’s upbringing in Compton and the developing spiritual beliefs encoded in his early discography. As we’ll come to find out, these beliefs become the basis of the underlying question DAMN. serves to answer: Is it wickedness or weakness?
Say hi @dissectpodcast on Twitter and Instagram. Purchase Dissect merch at https://shop.dissectpodcast.com/. Listen to original Dissect themes on Spotify: https://spoti.fi/2k8BsZM

S4E14 - Epilogue: IGOR by Tyler the Creator
Today’s special episode dissects Tyler, The Creator’s 2019 album IGOR. After a thorough dissection of the album’s narrative, we hypothesize about thematic and narrative connections between IGOR and Flower Boy.
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S4E13 - Season Finale: Flower Boy
After a thorough recap of the album’s narrative, we draw some final conclusions about the themes of Flower Boy and dissect the album’s cover art and title. We then hear from you, the Dissect audience, sharing their biggest takeaways from the album.
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Stay in touch over the break by following @dissectpodcast on Twitter and Instagram.

S4E12 - Glitter by Tyler, The Creator
Our season long analysis of Flower Boy continues with the song “Glitter”. It’s that Tyler’s album long journey culminates with him expressing how he feels to the love interest he’s been chasing throughout Flower Boy. But as we’ll discover, this beautiful moment comes with a twist ending.
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New episodes of Dissect release every Tuesday. Follow @dissectpodcast on Twitter and Instagram.

S4E11 - November by Tyler, the Creator
Our season long analysis of Flower Boy continues with the song “November.” In terms of the album’s narrative, “November” represents rock bottom, an emotional low point. But after a near death experience, Tyler is inspired to pull over his sports car and seize his moment.
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New episodes of Dissect release every Tuesday. Follow @dissectpodcast on Twitter and Instagram.

S4E10 - "911 / Mr Lonely" by Tyler, the Creator
Limited Season 4 merchandise available at https://shop.dissectpodcast.com/store.
Our season long analysis of Flower Boy continues with the song “911/Mr Lonely”. Despite its upbeat tempo and danceability, “911/Mr Lonely” is in Tyler’s own words “the saddest song I’ve ever written.” Find out why through our line-by-line analysis.
New episodes of Dissect release every Tuesday. Follow @dissectpodcast on Twitter and Instagram.

S4E9 - “I Ain’t Got Time” by Tyler, the Creator
Our season long analysis of Flower Boy continues with the song “I Ain’t Got Time.” The isolation expressed on the previous song “Boredom” is too much for Tyler to handle. He regresses and gets back into his sports car, using ego and testosterone to mask the loneliness he feels within.
New episodes of Dissect release every Tuesday. Follow @dissectpodcast on Twitter and Instagram.

S4E8 - “Boredom” by Tyler, the Creator
Our season long analysis of Flower Boy continues with the song “Boredom.” Still in the isolation of his garden shed, Tyler’s boredom reveals an underlying loneliness and aimlessness that triggers his unhealthy defense mechanisms.
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S4E7 - Garden Shed by Tyler, The Creator
Our season long analysis of Flower Boy continues with the album’s centerpiece “Garden Shed.” In one of the greatest songs of our generation, Tyler acknowledges his attraction to men in the privacy of his garden shed.
New episodes of Dissect release every Tuesday. Follow @dissectpodcast on Twitter and Instagram.

S4E6 - Pothole by Tyler, The Creator
Our season long analysis of Flower Boy continues with the song “Pothole.” Tyler takes his mother’s advice to heart and examines the various “potholes” in his life that hinder his personal growth.
New episodes of Dissect release every Tuesday. For 60 free days of Spotify Premium, visit spotify.com/promo/dissect.
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Dissecting IGOR with Anthony Fantano
In this special BONUS episode, Cole talks to Anthony Fantano (The Needle Drop) about Tyler, The Creator's IGOR and where the album fits into Tyler's legacy. Then co-host of Watching The Throne Chris Lambert joins Cole for a song by song dissection of IGOR's narrative and the meaning behind the album's title.
Follow @dissectpodcast on Twitter and Instagram. New episodes release every Tuesday.

S4E5 - “Who Dat Boy” by Tyler, the Creator
Our season long analysis of Flower Boy continues with the song “Who Dat Boy.” Tyler combats his vulnerability through egotism, machismo, and materialism. While still searching for his dream partner revealed in “See You Again”, Tyler seems to be looking in all the wrong places.
New episodes of Dissect release every Tuesday. Follow @dissectpodcast on Twitter and Instagram.

S4E4 - See You Again by Tyler, The Creator
Our season long analysis of Flower Boy continues with "See You Again." Tyler describes an idealized partner he only sees in his dreams. But as we'll discover, this fantasy lover is a manifestation of the chronic loneliness Tyler feels in the waking world.
Listen to Dissect on Spotify and get episodes a week early and exclusive bonus episodes. Visit spotify.com/promo/dissect for 60 free days of Spotify Premium.

S4E3 - Where This Flower Blooms by Tyler, The Creator
Our season long analysis of Flower Boy continues with the song “Where This Flower Blooms.” Tyler contrasts his childhood roots in poverty with the initial feeling of “making it” as a successful musician. But the song ends with a cliffhanger -- what exactly is Tyler hiding?
New episodes of Dissect release every Tuesday. For 60 free days of Spotify Premium, visit spotify.com/promo/dissect.

S4E2 - Foreword by Tyler, The Creator
We begin our season long analysis of Flower Boy by Tyler the Creator with the album’s opening track “Foreword.” We find Tyler laying out the themes that will be explored throughout Flower Boy as he questions his success, his chronic loneliness, and the nature of life itself.
New episodes of Dissect release every Tuesday. For 60 free days of Spotify Premium, visit spotify.com/promo/dissect.

S4E1 - Tyler the Creator: Flower Boy
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MS1E8 - Finale: The Miseducation of Lauryn Hill
Want to know the subject of Season 4 of Dissect? Follow @dissectpodcast on Twitter and Instagram for clues over the break.

MS1E7 - "Everything is Everything" by Lauryn Hill
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MS1E6 - "Forgive Them Father" (& more) by Lauryn Hill
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MS1E5 - "Superstar" & "Final Hour" by Lauryn Hill
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MS1E4 - "Doo Wop (That Thing)" by Lauryn Hill
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MS1E3 - "To Zion" by Lauryn Hill
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MS1E2 - "Lost Ones" and "Ex-Factor" by Lauryn Hill
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MS1E1 - Lauryn Hill: An Education
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BONUS - S3 Listener Audio Montage

S3E18 - Season Finale: Blonde by Frank Ocean
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S3E17 - Godspeed + Futura Free by Frank Ocean

S3E16 - Seigfried by Frank Ocean
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S3E15 - White Ferrari by Frank Ocean
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S3E14 - Solo (Reprise), Pretty Sweet, Close to You by Frank Ocean
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S3E13 - Nights by Frank Ocean
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S3E12 - Skyline To + Self Control by Frank Ocean
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S3E11 - Solo by Frank Ocean
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S3E10 - Pink + White by Frank Ocean
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S3E9 - Ivy by Frank Ocean
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S3E8 - Nikes by Frank Ocean
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BONUS - The Tricky Stewart Interview
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S3E7 - Channel Orange Recap + 4 Years Gone
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S3E6 – Bad Religion by Frank Ocean

S3E5 – Pyramids (Part 2) by Frank Ocean

S3E4 – Pyramids (Part 1) by Frank Ocean

S3E3 – Super Rich Kids by Frank Ocean

S3E2 – Thinking About You by Frank Ocean
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S3E1 – Frank Ocean: A Man of Art and Mystery
Dissect is a Spotify Original Podcast.
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S2E16 – Season Finale: My Beautiful Dark Twisted Fantasy
After a recap of the album’s narrative and themes, we’ll discuss those mysterious applause that conclude the album. We’ll talk about fame, art’s ability to inspire action in our lives, and hear Dissect listeners’ thoughts on Kanye West in a montage of listener submitted audio clips.
It’s been a beautiful, life-changing season. Thank you, everyone.
Purchase My Beautiful Dark Twisted Fantasy on iTunes.
Support Dissect at Patreon.com/Dissect
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Links to sources noted at

S2E15 – Lost in the World by Kanye West
“Lost in the World” is a cathartic embrace of letting go, an anthem of ambiguity that finds Kanye reconciling the conflicting duality presented throughout the album.
You can support Dissect at Patreon.com/dissect

S2E14 – Blame Game by Kanye West
“Blame Game” finds Kanye attempting to decipher who’s at fault for his crumbling relationship and rapidly deteriorating life. Of course, we’ll also answer that timeless question: What exactly did Yeezy teach us?
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S2E13 – Hell of a Life by Kanye West
Coming off the heels of the album’s emotional centerpiece “Runaway”, the explicit, porn-filled fantasy that is “Hell of a Life” couldn’t seem more thematically distant. But strangely, “Hell of a Life” is in many ways a journey toward self-acceptance. Kanye exposes the darkest recesses of his imagination, an honest assessment of his most private thoughts. And the more honest Kanye is about himself, the more alienated and shunned from the world he becomes.
Listen to “Hell of a Life” on Apple Music.

Be Featured on S2 Finale Episode! + Bonus Interview
In lieu of a new episode today, we’re sharing an interview Cole did with the It’s All Dead podcast. They discuss the origins of Dissect, Kanye West, Kendrick Lamar, concept albums, empathy, and more.
Dissect will be back with a new episode next week. Thanks for your patience.
Support Dissect at Patreon.com/dissect

S2E12 – Runaway by Kanye West (Part 2)
After an examination of Pusha T’s “we need more douchebag” verse, we discover how the instrumental outro reorchestrates the song’s first six minutes with just cellos and piano.
We make a slight detour to talk Nietzsche, Schopenhauer, Greek Mythology, Order, Chaos, and more — all to better understand why we find Kanye’s wordless concluding solo so moving.
Finally, we look at Runaway’s premiere at the 2010 VMAs, a career-defining moment for a victorious Kanye West.
Listen to “Runaway” on Apple Podcasts.
Support Dissect at Patreon.com/Dissect.
Photo: DON

S2E11 – Runaway by Kanye West (Part 1)
According to Runaway’s co-producer Emile Haynie, Kanye conceptualized “Runaway” in just four minutes. We dissect the iconic opening piano line, examining its conscious use of overtones and rhythmic deception.
After deconstructing the song’s beat, we turn to its lyrics and Kanye’s

S2E10 – Devil in a New Dress by Kanye West
“Devil in a New Dress” is an impressionistic glimpse into Kanye’s failed relationship with a woman he names his “sin-sation.” The song is built on dichotomy: love and lust, heaven and hell, authenticity and deception. We’ll hear this thematically in the song’s lyrics, but also tonally in the song’s unresolved, contrasting chord structure.
At the conclusion of our episode, we’ll display how the song’s abrupt ending sets up the album’s next track “Runaway.” Things take an unexpected turn we realize how inexorably linked the two tracks are both thematically and tonally.

S2E9 – So Appalled by Kanye West
“So Appalled” features Jay-Z, Pusha T, CyHi The Prynce, Swizz Beats, and The RZA. In many ways, the track represents the “art by committee” approach to Twisted Fantasy, and we open today’s episode detailing the work environment during the album’s creation.
We’ll also briefly explore the history of the “posse cut” in hip-hop before diving into our extensive analysis of “So Appalled,” a track that sees each guest MC expounding about the ridiculousness of the successful life they live.
This

S2E8 – Monster by Kanye West
“Monster” is an exemplary model of musical cohesion. Everything about the track contributes to its monstrous theme. The production rumbles and shakes with a persistent, driving low end and minimal treble. There’s use of multiple sound effects, including literal monster roars, screams, and detuned voices.
Kanye also selects guest artists and coaxes them to staying on theme: Justin Vernon’s distorted, sinster introduction, Rick Ross’s grisly, monstrous voice, Jay-Z’s clever wordplay, and of course, Nicki Minaj’s alter-ego invested verse, which many argue to be the best verse of the entire decade.

Kanye’s Cry for Help
Last year around this time, Kanye took stage at the Golden One Center in Sacramento, CA. After three songs and a fifteen-minute rant, Kanye dropped the mic and canceled the show. Shortly after, he canceled the remainder of his Saint Pablo tour dates and was checked into a hospital for psychiatric evaluation.
I attended the now infamous Kanye Sacramento concert. In lieu of a new episode today, I’m sharing with you a piece I wrote a few days after this experience. I believe its message still rings true today, perhaps even more so.
If you’d like to support Dissect, visit patreon.com/dissect
Photo: Solace

S2E7 – All of the Lights by Kanye West
“All of the Lights” and it’s fourteen high-profile guest vocalists is the kind of decadence that borders on excessive indulgence like the terrible feeling you get after eating too much cake. This kind of problematic indulgence is an inherent quality of celebrity, and “All of the Lights” is calculated overstimulation, a sensory overload aimed to express the strung-outed-ness of a life lived beneath a perpetual spotlight.
Structurally, “All of the Lights” acts as a bridge into another world. While there’s been moments of fantasy in the album’s first three songs, on “All of the Lights” we hear for the first time an elaborate fantasy world created th

S2E6 – Power by Kanye West
From its meticulous, heterogeneous production to its tightly wound lyricism and complex, metaphoric thematic content, “Power” is a detailed, intricately chiseled marble statue approach to songwriting. Kanye simultaneously explores power both as a concept in and of itself, as well as its personal affects on his life and mind. It’s something Kanye clearly struggles with. He’s smart enough to recognize power’s ability to deteriorate his spirit, but also recognizes his own inability to let it go.
Listen to “Power” by Kanye West on Apple Music.
If you en

S2E5 – Gorgeous by Kanye West
“Gorgeous” is undoubtedly one of Kanye’s strongest displays as lyricist and rapper. There’s nary a wasted word on “Gorgeous” as Kanye seamlessly weaves cheeky pop culture references with poignant racial anecdotes and self-empowering affirmations. It’s a blueprint to atonement, to overcoming uncontrollable forces with sheer grit, determination, and self-assurance. Kanye seems less concerned with how to end racism and more concerned with how to overcome it, how to do great things in spite of it.
Layers of emotional and psychological complexity are added when we consider the song’s hook, an observation on Kanye’s psyche after the VMA backlash. It subtly reveals that

S2E4 – Dark Fantasy by Kanye West
From its opening moments, “Dark Fantasy” establishes the sound, themes, and narrative that will be explored throughout My Beautiful Dark Twisted Fantasy.
Sonically, it consolidates Kanye’s entire musical palate and creative powers developed over his first four solo albums. It’s a beautiful amalgamation of soul, hip-hop, RnB, classical, and gospel, at once seamless and juxtaposed, and utterly grandiose.
Lyrically, we find Kanye at perhaps his most economical. Woven within just two compact verses and a brief bridge, Kanye establishes a complex character who appears confident and living a luxurious life of fame and fortune. But veiled beneath the surface is a strugg

S2E3 – The Old Kanye
Our job today is frankly impossible. We’re going to cover the four masterful albums by Kanye West in just under forty minutes, a borderline audacious premise for a show about in-depth analysis. But we must remember the larger goal: to provide context, to get a basic understanding of the trajectory of Kanye’s musical output and success. We’ll cherry-pick a song or two from each album that’s representative of Kanye’s production and lyrical subject matter at that particular time, gaining a broad sense of the evolution of Kanye’s art leading up to our main course, My Beautiful Dark Twisted Fantasy.
Listen to Kanye’s discography on Apple Music.
If you enjoy Dissect, consider dropping a review on

S2E2 – Through the Wire by Kanye West
On our last episode, we followed the artistically gifted and confident young Kanye West as he ascended up hip-hop’s totem pole through his uncanny work ethic, unmatched determination, and unique production style.
On October 23rd, 2002, just two weeks after his deal with Roc-A-Fella Records was announced, Kanye fell asleep at the wheel and collided headfirst with an oncoming car, breaking his jaw in three places.
Just two weeks after his accident, and with his mouth still wired shut, Kanye would record “Through the Wire,” the song that would ultimately launch his rap career.
On today’s episode, we dissect “Through the Wire” as an example of Kanye’s early pro

S2E1 – Kanye West: The Elephant in the Room
Season 2 of Dissect is dedicated entirely to My Beautiful Dark Twisted Fantasy by Kanye West.
My Beautiful Dark Twisted Fantasy is an aural pageantry of West’s uncanny talents as producer and rapper, a sonic amalgamation of the four solo albums that precede it. It’s thirteen tracks are ambitiously scaled, a musical maximalism as yet unheard in the world of hip-hop.
Within this sonic coliseum, Kanye bares the confliction between his ego and insecurity, between the purity of his creative gifts and his incessant need for adoration. The album’s loose narrative outlines Kanye’s rise and fall from public grace, a kaleidoscopic meandering into the deep recesses of his mind, his fantasies. One moment he’s brash and confident, the next he’s vulnerable and lost.
Our first three episodes this season will serve as a preface to Tw

Pray for Kendrick Lamar: DAMN. Opening Remarks
On his 2015 album To Pimp a Butterfly, Kendrick undergoes a metamorphosis from self-loathing Compton rapper to self-loving global icon, a transformation he likens to caterpillar turned butterfly. It seemed to function as a blueprint for salvation, aimed especially at the African-American community navigating the racially charged strains of modern America.<br />
But rather than end Butterfly on the euphoria of the song “i,” Kendrick instead concludes with the epilogue “Mortal Man.” After spending the majority of the album questioning himself and the world around him, “Mortal Man” asks us, his listeners, to question ourselves, specifically the build-them-up watch-them-fall relationship we have with our leaders. He reminds us that however large his mythos has become, he’s human and he’ll need our loyalty when “shit hits the fan.”<br />
“Mortal Man” is a foreboding provocation, an insightful premonition about his future after th

S1E22 – S1 Finale: To Pimp a Butterfly
After a broad overview of the album and breakdown of the concluding poem, we’ll dissect the central “contrasting duality” theme, the album title and cover art. We’ll then hand the mic over to you, the listeners, in an audio montage compiled from the submission you sent sharing your biggest takeaway from the album.
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S1E21 – Mortal Man (Part 2) by Kendrick Lamar
On our last episode, we heard how the song “Mortal Man” questioned Kendrick’s new leadership role and loyalty of his fanbase. At the end of the song, the narrative poem returns and is finally read in full. It’s revealed that the poem was being read to none other than deceased rapper Tupac Shakur. What follows is a metaphysical conversation between the two as Kendrick asks Pac for advice on both his own personal situation and the state of our nation.
On today’s episode, we dive deep into Pac’s conflicted legacy and his eerie conversation with Kendrick.
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S1E20 – Mortal Man (Part 1) by Kendrick Lamar
Kendrick reached the narrative conclusion of To Pimp a Butterfly with the live performance of the song “i” in his hometown of Compton. In a full circle moment, Kendrick embodied the leadership role he was so reluctant to embrace. Through the power of music, the spoken word, and a message of self-love and acceptance, Kendrick ended a fight in the crowd, a metaphor for black-on-black violence and gang conflicts in inner cities like Compton.<br />
Thus far on To Pimp a Butterfly, Kendrick has held a mirror to himself, analyzing his new place in the world of celebrity and success outside the streets of Compton, the only life he knew for twenty plus years. Now, having shared his story, Kendrick will turn that mirror around on us, the listeners.<br />
Mortal Man is the epilogue of To Pimp a Butterfly. An epilogue is a section or speech at the end of a

S1E19 – i (Part 2) by Kendrick Lamar
“i” is the narrative conclusion of To Pimp a Butterfly, the apex of Kendrick’s teachings on self-love and self-acceptance.<br />
While the studio single version of “I” we examined in our last episode could’ve easily acted as the album’s narrative climax, Kendrick chose instead to use a staged “live performance” on the album. For those of us that were familiar with the studio single, hearing of the live version was at first a somewhat jarring experience. Of course, Kendrick knew this would happen. His using a live version is a strategic, self-referential appropriation, the reasons for which become clear when the performance comes to a halt after a fight breaks out in the crowd, and Kendrick recites a spoken word piece that puts an end to the scuffle.<br />
The statement “Kendrick Lamar, by far, the realest negus alive” at the end of the spoken word piece is

S1E18 – i (Part 1) by Kendrick Lamar
“i” is the narrative conclusion of To Pimp a Butterfly, the apex of Kendrick’s teachings on self-love and self-acceptance.<br />
Written for his incarcerated friends and suicidal kids he meets on tour, “i” was released as the album’s first single six months prior to the full release of To Pimp a Butterfly. This early version, which we’ll refer to as the “studio version,” does not appear on the album. Instead, a live performance of “i” is used. Because Kendrick uses “i” self-referentially as a climactic narrative tool, we’re going to first use the studio version to examine the song’s thematic content. In Part 2, we’ll cross-examine the live version as it appears on the album.<br />
Kendrick’s vocal inflection throughout “i” is soft, child-like, and unassuming. Like the song’s “Complexion (A Zulu Love)” and “You Ain’t Gotta Lie (Momma Said),” there’s a calculated s

S1E17 – You Ain’t Gotta Lie (Momma Said) by Kendrick Lamar
We’re currently in the midst of the album’s fourth act, which we’ve titled “The Butterfly Sheds Light.” Having embraced his leadership role after his experience in South Africa, Kendrick is providing his community with a series of easily understandable and relatable songs focused on self-acceptance.
On “You Ain’t Gotta Lie (Momma Said),” Kendrick exposes the fabricated behavior of the members of his community who attempt to act in accordance to some ill-conceived notion of “cool” to fit in. His message for them is simple: be yourself, love yourself, and love those around you.
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S1E16 – The Blacker the Berry (Part 2) by Kendrick Lamar
The song was the album’s second single and released amidst the height of the Black Lives Matter movement. It’s incredibly potent, packed with references to the historic oppression of the black community, race relations in contemporary American society, police brutality, the US penitentiary system, and the complexities of black identity, among many others.<br />
Central to “The Blacker the Berry” is an idea known as “double-consciousness.” Coined by writer W.E.B. Du Bois, double-consciousness describes the internal conflict experienced by the oppressed groups living in an oppressive society (see: black people in white America). Du Bois argued that attempting to reconcile your African heritage while being raised in a white European-dominated society posed psychological challenges. In

S1E15 – The Blacker the Berry (Part 1) by Kendrick Lamar
The song was the album’s second single and released amidst the height of the Black Lives Matter movement. It’s incredibly potent, packed with references to the historic oppression of the black community, race relations in contemporary American society, police brutality, the US penitentiary system, and the complexities of black identity, among many others.<br />
Central to “The Blacker the Berry” is an idea known as “double-consciousness.” Coined by writer W.E.B. Du Bois, double-consciousness describes the internal conflict experienced by the oppressed groups living in an oppressive society (see: black people in white America). Du Bois argued that attempting to reconcile your African heritage while being raised in a white European-dominated society posed psychological challenges. In his book The

S1E14 – Complexion (A Zulu Love) by Kendrick Lamar
After battling depression, survival’s guilt, temptation, selfishness, and suicidal thoughts, Kendrick was humbled by an encounter with god on the album’s previous track “How Much a Dollar Cost?”<br />
Kendrick’s repentance represents the album’s axis point and signals the beginning of Act 4, which I’ve titled “The Butterfly Sheds Light.” Having been humbled by god, Kendrick will embrace his leadership role, and become an advocate for the Compton’s of the world. Over the next four tracks, Kendrick will speak directly to the black community and preach a message of unity, love of self, and independence.<br />
Kendrick’s first order of business will be to address colorism and black beauty on “Complexion (A Zulu Love).” Inspired by his pivotal trip to South Africa in 2013, “Complexion” attempts to negat

S1E13 – How Much a Dollar Cost? by Kendrick Lamar
Plagued by Uncle Sam (the American Dream) and Lucy (temptation), Kendrick has stood at a metaphoric crossroads for most of the album, deciding whether to use or pimp his talent for good or evil. “How Much a Dollar Cost?” will force Kendrick’s hand.<br />
The song tells a story of Kendrick’s encounter with a homeless man in a gas station in South Africa. The man asks Kendrick for a dollar, which he refuses due to his selfishness. The homeless man reveals himself as god in the final line of the song, and as it turns out, the cost of a dollar was Kendrick’s spot in heaven. Upon this discovery, Kendrick is humbled, asks for forgiveness, and it set on a path of righteousness.<br />
And while Kendrick’s spot in heaven was the answer to the question of “How Much a Dollar Cost?”, we can a

S1E12 – Hood Politics by Kendrick Lamar
“Hood Politics” begins with a voicemail Kendrick receives from an old Compton friend. He calls out Kendrick for never answering his phone, dressing differently, and forgetting about his friends.<br />
The voicemail triggers Kendrick’s survival’s guilt for escaping Compton. Earlier on the album, Kendrick was sent into a fit of manic depression by his survival’s guilt on the song “u.” On “Hood Politics,” Kendrick attempts to convince himself of the street credibility he’s earned as a youth in Compton, and how he’s remained true to his roots despite his success.<br />
The song is divided into three verses that speak on varying politics: Verse one centers around hood politics, verse two talks of governmental politics, and verse three speaks on hip-hop politics. Kendrick chooses a high-pitched voc

S1E11 – Momma by Kendrick Lamar
On “Momma,” Kendrick returns home to Compton for the second time on the album. On his first return, he gloated about his success and status on the song “King Kunta.” This time around Kendrick shows signs of maturation. He’s reflective, nostalgic. Having been through the trauma of “u” and the hypnotic seduction of “For Sale?,” home is now a place of grounding comfort that helps Kendrick in his search for clarity and contentment.<br />
On verse three, Kendrick returns to another, more metaphoric home: Africa. He recounts an experience in South Africa in which he feels an inert kinship with a boy there. It forces Kendrick to reconsider his entire identity and sends him spinning into an existential crisis that’s reflected in the song’s abstract outro.<br />
By its conclusion, “Mom

S1E10 – For Sale? by Kendrick Lamar
Whereas the album’s second track “For Free?” was an external reaction to the seductive lures of Uncle Sam, the American Dream incarnate, “For Sale?” is the internal reaction to seductive lures of Lucy, the Devil incarnate.<br />
The contrast of “For Free?” and “For Sale?” starts to reveal the intricacies of the album’s overall narrative structure. While we’ve seen examples of the contrasting duality theme on a small scale in individual songs, we’ll now begin to see it appear in large scale between entire songs.<br />
“For Sale?” takes place in Kendrick’s subconscious while he dreams. The majority of the song is told from the perspective of Lucy as she recounts the first time her and Kendrick met. It turns out, Lucy and Uncle Sam have a lot in

S1E9 – Alright by Kendrick Lamar
In the context of the album’s narrative, “Alright” takes place the morning after the drunken confession heard on the previous song “u.” After a therapeutic confrontation of his demons, it seems Kendrick has awoken with a more optimistic outlook and seems determined to overcome his anxieties.<br />
Outside of the album, “Alright” has been adopted as an unofficial anthem of the Black Lives Matter movement. The song’s simple message of hope through solidarity and resilience has struck a chord with supporters of the movement, and the refrain “we gon be alright” has been heard chanted at protests and rallies across the country.<br />
While Black Lives Matter is an ongoing movement, let’s think back to the time of To Pimp a Butterfly’s release in March 2015. Just three months prior, the decision not to indict the officer who kil

S1E8 – u by Kendrick Lamar
“u” is the album’s emotional rock bottom. It’s one of the most gripping, emotionally vulnerable records in hip-hop. It’s a confrontation of inner demons and insecurities told with an honesty rarely found in the genre.<br />
If forced, I’d have to say “u” is my favorite song on To Pimp a Butterfly. From the unique production and musicianship, the metaphoric division of the song’s structure, the foley sounds of clinking bottles, and the moving execution of its heart-wrenching lyrics, “u” is a crowning achievement on one of the best album’s of all time.<br />
Being a native of Sacramento, California, it’s an added bonus that the second half of “u” was produced by relatively unknown Sacramento musician Whoarei, who was found through his

S1E7 – These Walls by Kendrick Lamar
On “These Walls,” Kendrick speaks of various metaphoric walls to express the confinements of vice. It interweaves a complex threesome between Kendrick, an unnamed woman, and an imprisoned man serving a life sentence. Each deals with their own personal set of constricting walls that work to prohibit personal progress.<br />
Upon first listen, “These Walls” is a similar experience to “King Kunta.” It’s so infectiously danceable and enjoyable that the intricacies of the story it tells is easily lost. But this only works to exemplify Kendrick’s extraordinary talent to craft radio-ready singles without sacrificing the album’s narrative or its ability to stand on its own under scrutiny. It’s only after thorough examination that one realizes its intricacies.<br />
“Thes

S1E6 – Institutionalized by Kendrick Lamar
After the introduction to the album’s ever-important narrative poem, Kendrick begins to unpack the complexities of his new life of stardom. It begins with Institutionalized, a bouncing, head-nodding track that details Kendrick’s frustrations with his Compton friends’ behavior at the BET awards.<br />
By naming the song Institutionalized, Kendrick alludes to broader issues that plague our country and manifest in the behavior of the impoverished and repressed population. Before dissecting this song, I believed minorities faced residual discrimination still resonating from our nation’s dark history. But until I researched institutional racism for this episode, I didn’t understand its complexities and

S1E5 – King Kunta by Kendrick Lamar
“King Kunta” is perhaps the album’s most unabashed tribute to the pervading funk influences throughout To Pimp A Butterfly. On its surface, King Kunta is boastful, heroic, prideful, and at times, vain. Upon further examination, however, we’ll realize there’s a deeper, contrasting message to the song’s calculated, overtly valiant air. We’ll also discover that “King Kunta” is the pinnacle of the album’s first act, which we’ve named Pimped by Consumption.
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S1E4 – For Free? by Kendrick Lamar
“For Free?” is a personal favorite of mine. It’s songs like this that separate Lamar from his contemporary hip-hop peers. He’s assembled some of the greatest living jazz musicians to back him a raucous, unapologetic critique of the American Dream expressed in a rapid-fire stream of consciousness.
It takes extreme versatility in craft to execute a piece of music of this caliber while still operating within the sphere of popular culture. When I saw Kendrick perform an intimate show at the Fox Theatre in Oakland, he opened with this piece. And the crowd went nuts.
Can we think about this for second? A theatre full of rowdy twenty-somethings went wild about a spoken word piece recited ove

S1E3 – Wesley’s Theory by Kendrick Lamar
To Pimp a Butterfly is a concept album that documents Lamar’s journey from caterpillar to butterfly (metaphorically, of course). Wesley’s Theory introduces the album’s protagonist, Kendrick himself, a young, naive rapper that has achieved stardom and escaped from the cocoon of Compton. We also meet the album’s antagonist, Uncle Sam, who looks to exploit young Kendrick for profit.<br />
Through the lens of this song, we’ll cover topics like the American Dream in modern society, the origins of the phrase “40 Acres and a mule”, Dave Chapelle’s exit from his hit TV show, and Wesley Snipes’ tax evasion conviction.<br />
We’ll also examine how Wesley’s Theory is written cinematically and sets the stage for the narrative that unfolds throughout To Pimp a Butterfly.<br />
If you li

S1E2 – good kid, m.A.A.d. city by Kendrick Lamar
good kid, m.A.A.d. city spans one pivotal day in Lamar’s teenage upbringing in Compton, California. The album’s protagonist, Kendrick himself at age 16, is jumped by gangbangers in front of Sherene’s house, Kendrick’s girlfriend at the time. Kendrick and his friends retaliate, leaving one of Kendrick’s best friends dead in his arms.<br />
While debating whether to retaliate once again, Kendrick and his friends are approached by an old woman, who leads the children in the Sinner’s Prayer. This sets Kendrick on a new path, dedicating his life towards family, God, and music.<br />
Thematically, the album explores the idea of a good kid in a mad city and the ways in which one’s environment influences can taint the purity inherent in us all. He also battles to reconcile his love and r

S1E1 – Compton, K Dot, and Kendrick Lamar

Introducing Dissect: A Serialized Music Podcast
We’ve quickly become a scrolling culture, hurriedly swiping through an infinite swath of content that seems to replenish without end.<br />
Dissect was created to counter this cultural shift.<br />
After too often feeling exhausted and unfulfilled from binging my daily digital diet, I wanted to create a platform that forced me to think critically, not passively. I wanted to spend hours with one thing, not a few minutes with a zillion things. And I wanted to reward artists who, in the face of our new consumption habits, continue to craft their work with care, complexity and depth.<br />
And so, Dissect was born: a serialized musi