Tender Buttons

In this episode, we have the privilege of speaking to the very brilliant Bhanu Kapil about the UK publication of her collection Incubation: a space for monsters. We discuss what it means to return to earlier work in new contexts, and why the figure of the monster or cyborg is so crucial to her work, in relation to migration and border politics. We chat about the role of the body within her work, and the language of flesh and bones. We discuss the relationship between performance, writing and memory and what it means to make work which refuses categorisation.

Bhanu Kapil is the author of six full-length poetry collections and a recipient of a Windham- Campbell Prize and a Cholmondeley Award. Her most recent book, How To Wash A Heart, won the T.S. Eliot Prize and was a Poetry Book Society Choice. For twenty years, she taught creative writing, performance art and contemplative practice at Naropa University in Boulder, Colorado. She is currently based in Cambridge as a Fellow of Churchill College. She also teaches for the University of Vermont’s Rubenstein School of Environment and Natural Resources, as part of a practice- based Ph.D. in Transdisciplinary Leadership and Creativity for Sustainability.

References

In this week's episode, we chat to writer and Japanese translator Polly Barton about her new book Porn: An Oral History. We discuss the necessity of sitting with discomfort and ambivalence and the role of unknowingness within a divided contemporary society. We speak about he nature of oral histories and the links between translation and transcription. We consider the importance of intergenerational conversation, as well as the role of nuance, contradiction and sensitivity within non-fiction. We consider what it means to leave space for desire and pleasure within discourse on sex and gender and think about Pamela Paul's notion of the pornification of society under capitalism.

Polly Barton is a writer and Japanese translator based in Bristol. In 2019, she won the Fitzcarraldo Editions Essay Prize and her debut book, Fifty Sounds, a personal dictionary of the Japanese language, was published in the UK by Fitzcarraldo Editions in 2021. In 2022, Fifty Sounds was shortlisted for the 2022 Stanford Dolman Travel Book of the Year. Her translations have featured in Granta, Catapult, The White Review and Words Without Borders and her full length translations include Spring Garden by Tomoka Shibasaki (Pushkin Press), Where the Wild Ladies Are by Aoko Matsuda (Tilted Axis Press/Soft Skull), which was shortlisted for the Ray Bradbury Prize, and There’s No Such Thing as an Easy Job by Kikuko Tsumura (Bloomsbury). Her new book, Porn: An Oral History, was published by Fitzcarraldo Editions (UK) in March 2023 and is forthcoming from La Nave di Teseo in Italy.

References

In this episode, we speak to author and essayist Ellena Savage.  We discuss hierarchies of power within the arts and the precarity of writing for a living, as well as what it means to work both within and in opposition to literary and academic institutions. We address ideas of consumption and capitalism, as well as the dream of a classless society which makes space for beauty and pleasure. We explore the experimental essay form as a means of capturing the fractured nature of memory and time, and the subversion of catalogues and archives as a feminist tool. We discuss what it means to write 'memoir' or 'anti-memoir' and the intersection of these ideas with gender and social class. We also chat about complex notions of home and belonging, amidst gentification and colonial histories.

Ellena Savage's debut essay collection, Blueberries, was published by Text Publishing and Scribe UK in 2020. It was shortlisted for the 2021 VPLA and long-listed for the Stella Prize. She has written essays, stories and poems for Sydney Review of Books, Paris Review Daily, Literary Hub, Meanjin, Overland, Cordite, Mirror Lamp Press, Kill Your Darlings,The Big Issue Fiction Edition and The Lifted Brow (where she was an editor). She has also written for periodicals such asThe Age, Guardian Weekend and Eureka Street, where she wrote a monthly cultural politics column between 2011-2016, and in the anthologies Open Secrets (2021), The Cambridge History of the American Essay (forthcoming), Choice Words (2019), The Best of the Lifted Brow: Volume Two (2017), Poetic Justice (2014), and The Emerging Writer (2013). She has written for gallery and performance contexts via Darebin City Council, Melbourne Chamber Orchestra, and  ArtsHouse. She also published a chapbook, Yellow City with The Atlas Review in 2019.  

References

In this episode, we speak to Nuar Alsadir about her essay, Animal Joy. We discuss the radical possibilities of laughter, the connections between writing and psychoanalysis and the psychoanalytic notion of our 'true' and 'false' selves. We chat about living 'hotter' and being 'more' in the face of a society which often asks us to diminish ourselves in order to conform to social scripts. We talk about the role of the clown within this society and the disruptive nature of poetry. We think about what it means to put unconscious and bodily experiences into writing, through the lens of Nuar's second poetry collection, Fourth Person Singular.

Nuar Alsadir writes poetry and nonfiction. She is the author of the nonfiction book, Animal Joy: A Book of Laughter and Resuscitation, and two poetry collections, most recently Fourth Person Singular, a finalist for the National Book Critics Circle Award for Poetry and  the Forward Prize for Best Collection. She lives in New York where she  works as a psychoanalyst in private practice.

References

In this episode, we chat to author, performer and poet Joelle Taylor. We speak about the process of translating page to stage and the juxtaposition of social realism with surreal imagery in the articulation of complex tensions around class, gender and sexuality. We discuss the rebel butch dyke community of the 80s and 90s, the queer club as a place of resistance and the destruction of these spaces by gentrification. We talk about poetry as grieving ritual and the necessity of reclaiming allyship and communality within the LGBTQIA+ community (and beyond) in an age of division and toxic internet culture. We speak about the body as a site of metamorphosis and the relationship between language and flesh.

Joelle Taylor is an award-winning poet and author who prior to the pandemic completed a world tour with her collection Songs My Enemy Taught Me. She founded SLAMbassadors, the UK national youth poetry slam championships, as well as the international spoken-word project Borderlines. She is widely anthologised, the author of 4 collections of poetry and is currently completing her debut collection of inter-connecting short stories The Night Alphabet. Her new poetry collection C+NTO & Othered Poems was published in June 2021 and is the subject of the Radio 4 arts documentary Butch. C+nto won the T.S Eliot Prize in 2021, The Polari Prize in 2022 and was named by The Telegraph, the New Statesman, The White Review & Times Literary Supplement as one of the best poetry books of 2021, as well as DIVA magazine’s Book of the Month, and awarded 5 stars by the Morning Star. She has received a Changemaker Award from the Southbank Centre, a Fellowship of the RSA, and her poem Valentine was Highly Commended in the Forward Prize. She is a co-curator and host of Out- Spoken Live, the UK’s premier poetry and music club currently resident at the Southbank Centre. She is the commissioning editor at Out-Spoken Press 2020-2022.

References:

The Night Alphabet (forthcoming from Riverrun Books) by Joelle Taylor

In this episode, we chat to author and essayist Rebecca May Johnson about what it means to bring critical ideas into the everyday. We discuss the radical potential of the recipe as a tool for performance and intergenerational exchange. We speak about the abjection of bodies by capitalist society and reclaiming pleasure as a means of feminist praxis. We discuss the isolation rendered by the privatisation of public spaces and the necessity for communal ways to gather and eat together. We chat about the ways in which theory can neglect visceral experience and the recipe as a living text which anchors us to our bodies and the world.

Rebecca May Johnson has published essays, reviews and nonfiction  with Granta, Times Literary Supplement, Daunt Books Publishing and Vittles,  among others. She was a creative writing fellow at the British School  at Rome in 2021. She earned a PhD in Contemporary German Literature from  UCL in 2016.She also uses online publishing to conduct stylistic  experiments: her essay ‘I Dream of Canteens’ was published via  TinyLetter and gained widespread acclaim, winning ‘The Browser’ prize  for the best piece on the internet in April 2019. Her anonymous  waitressing series was voted in the Observer Food Monthly ‘Top  50’ of 2018. She was finalist in the ‘Young British Foodies’ writing  prize judged by Marina O’Loughlin and Yotam Ottolenghi. She publishes a  newsletter called dinner document where she shares recipes and thoughts  about food every week. Small Fires is her first book.

References

In this episode, we chat to the award-winning writer, performer and theatre-maker Travis Alabanza about their non-fiction book on trans and non-binary identity, None of the Above. We discuss what it means to write anti-memoir, in relation to making work from a working-class, gender non-conforming perspective. We chat about what it means to claim your own narrative and how to write a theoretical text that is accessible outside of academia, as well as the necessity of artists' engagement with the communites around them. We talk about the process of moving from stage to page and the radical power of performance to create a temporary space where rules are suspended, giving us a glimmer of freedom.

References

In this special episode of Tender Buttons — the last of Season 2 — we share a live conversation between Jessica Andrews and Samantha Walton, recorded at the launch of Jessica's new novel Milk Teeth at Storysmith Books in Bristol.

In this episode, we discuss what it means to write through the body with memoirist Melissa Febos. We speak about the power of articulation as a radical tool for feminist and queer liberation and the need to break away from the narratives we are handed by patriarchal society in an attempt to forge our own maps. We talk about the practicalities of writing memoir as a public archive of the self and the existence of multiple truths and perspectives within a narrative. We address the process of writing trauma and the political and personal implications of writing from lived experience.

References

In this episode, we discuss morality, religion and how to find space between conflicting social codes. We discuss the relationship between possibility, choice and criminality and the intersection of class and race in contemporary Bristol. We chat about what it means to write about a place that is not widely represented in fiction and developing a literary voice through hip-hop, grime and the Bible. We explore the potential of the novel to spark political change and the role of artistic responsibility.

References

In this episode, we chat to Yara Rodrigues Fowler about the possibilites of the revolutionary novel. We speak about the potential of art as a driving force for change in the world, providing a space to desire beyond the borders of neoliberalism, imperialism and patriarchy. We talk about the ways in which novels can hold multiple dimensions of time and space and the role of formal experimentation and translation. We also discuss queer families and sisterhood and the ways in which these relationships might act as a 'little communism' of love, hinting at the possibilities of a world which is more free. We talk about the experience of writing and releasing a second novel and how to move through the publishing world while staying true to your own ideals. Yara's new novel, There Are More Things is published on 28th April.

References

In this episode, we chat to Lola Olufemi about the radical potential of imagination. We speak about the relationship between theory and lived experience and how to deconstruct linear narratives of history and time. We talk about the possibilites language and art can bring to political movements and revolutionary ideas, as well as their limitations. We discuss how to move beyond the trappings of crisis and the importance of re-discovering play, both in writing and in our communities. We explore the role of collaboration within art and the reconfiguration of history as a kind of process which is constantly being re-made, through ancestral connection and the reanimation of archives. 

References:

In our first episode of Season Two, we chat to the inimitable Max Porter about pushing the limits of language, the role of art in ritual and collective experience and a search for joy within the mundane. We discuss the relationship between novel and stage, as well as the dichotomies of guilt and shame, care and kindness and humour as a form of resilience in a changing world. We talk about Max's desire to 'capture the pulse of feeling' in his book The Death of Francis Bacon and explore how to reinstate ritual in the ways we relate to landscape and the nonhuman world. We talk about writing as a mode of time travel and mourning as a kind of love.

In this episode, we chat to author Jo Hamya about her brilliant novel, Three Rooms. We discuss her subversion of the bildungsroman narrative in order to interrogate the myth of linear progress and what it means to grow up in the wake of Blairism and the 2007-8 financial crash. We speak about the ways in which people might live in proximity to the upper echelons of society and yet never truly enter privileged spaces as a consequence of class, gender, race and politics. Through the lens of Brexit, Trump, Grenfell and the housing crisis, amidst soaring wealth inequality, Jo addresses the myth of meritocracy in contemporary Britain and interrogates the effects of social media upon our psyches. We chat about the notion of patriotism, the commodification of protest, the struggle to take up space in the modern metropolis and what it really means to inhabit a room of one's own in contemporary Britain. 

References:

In this episode, we talk to Bristol City Poet Caleb Parkin about taxonomies, ecophrastic poems and the historical exclusion of LGBTQIA+ people from environmental movements and access to nature. We chat about the way our sense of 'nature' is always mediated through culture and the need for irreverence and irony to offset the self-righteousness that can be associated with climate activism. We discuss how queer perspectives can alter the conversation around climate justice and the need for us to sit with uncertainty and unknowingness. 

Caleb's dazzling, slippery poetry collection - This Fruiting Body - is out now from Nine Arches Press.

In today's episode we chat to the brilliant Nikesh Shukla about his recent fatherhood memoir Brown Baby. We talk about how to navigate racism and sexism while raising children, the ways in which grief distorts time, subverting the traditional memoir form, representation within publishing, the radical history of Bristol, finding joy and hope in a difficult world and how to contribute to political change in our everyday lives.

REFERENCES

In this episode, we chat to novelist, memoirist and academic Jenn Ashworth, about her new novel Ghosted (Sceptre: 2021), a brilliant, unconventional blend of crime fiction and horror to find a form that can hold grief, loss and the myriad of ways in which people can go missing. We speak about the complexity and multi-layered dimensions of working class identities, from work to family to notions of belonging, as well as the challenges of writing trauma in both fiction and non-fiction. 

In this episode we chat to Bristol-based writer and researcher Zakiya Mckenzie about decolonising the archives, collective memory and the histories of plants and their relationship to the histories of people. We discuss the inextricable links between land in England and Jamaica and the need for more radical and decolonial ways of mapping stories, land and time than the models left to us by the horrors of empire, as explored in Zakiya's recent pamphlet Testimonies on the History of Jamaica, Vol. 1 (out now with Rough Trade Books). 

You can buy a selection of Zakiya’s work from Storysmith with a 10% discount, tune in to the episode to find out more.

In this episode, we chat to poet and essayist Rebecca Tamás about the figure of the witch, the power of language to manifest change in the world and poetry as a way to speak with not for voices that have been silenced throughout history. We talk about the role of awe and emotion in forging a deeper relationship with the non-human world, climate grief, the loss of language and the impact of late capitalism on our psyches, bodies and planet.

In this episode we talk to Ren Aldridge, artist, writer and singer in feminist post-hardcore band Petrol Girls about the intersection of her art and politics. We chat about the DIY punk practice of passing the mic, learning by doing, zine culture, the power and limitations of anger & more.

In this episode we chat to writer Kerri ní Dochartaigh about her new book Thin Places (Canongate) and its powerful weaving of memoir, history, Irish folklore, language and nature writing. We discuss her childhood growing up in Derry amidst the Troubles, the necessity of expanding our kinship with the non-human world and the ways in which a new generation of writers of landscape are blazing open the field. 

004 

In the first of our Bristol-based episodes, we speak to graphic novelist, musician, educator and all-round local legend Joff Winterhart about the poetry of the mundane, the hinterlands of suburbs and industrial estates, crises in contemporary masculinity and Joff's use of the graphic form.